All of this is to suggest that there is no one-size-fits-all solution to structuring a podcast story. A true-crime story, for example, would invariably be organized differently than a tech story recording studio.
Consider the following plot vehicles for your story:
The door to the cold opens. Want to get your listener’s attention right away? Delete the typical intro and dive them straight into the plot. This is a perfect place to start if you’re looking for decent podcast intro narrator ideas.
There are three acts in this play. Yeah, any story has a beginning, middle, and end, but the conventional interview-style overlooks this. It follows a set of rules. Consider how you’ll handle the three actions of setup, conflict, and resolution of your plot. At explorethespacehow.com, we are offering the best white papers & podcasts and space podcast.
An extension of the cold open, launch your plot in the middle of your story’s timeline. Bring the audience straight into the middle of the action at a critical juncture before returning to the beginning of the narrative to provide backstory. Then proceed past your starting point to settle and finish.
It’s one thing to know you want to make a narrative podcast; it’s quite another to sit down and make one.
Working with podcast production services that specialize in it is one choice. Another choice is to enroll in podcasting classes and master the trade on your own.
Idea and Concept At this point, you should ask yourself the following questions:
Who is the target audience for this podcast?
What do we think our show will be able to assist them with?
How can your show differentiate itself from those on the same subject? What new facts or perspectives will you add to the story?
Is this going to be a one-episode plot or will it be spread out over a season?
For it, who would you need to interview? And how can you contact them to invite them to participate in the project?
What would the narrator’s voice sound like?
Planning and analysis
Long before you press log, the most critical job of making a perfect narrative podcast occurs. If you’ve pinned down the show’s idea, it’s time to do some hard homework on the topic and your guests.
Plan ahead your episode outline(s) so you have a crystal-clear vision of the structure of your plot and what each interviewee can bring to the table.
This way, when you sit down for an interview with one of your clients, you won’t be asking them odd questions in the hopes of unearthing any gold nuggets or a brilliant anecdote. You appreciate their position in the story and can ask questions before you have the answers you need to tell what you want to say.
The production processes
Record your interviews, go on location and record the necessary accidental sounds, compose your narrative scripts to tie the plot together, and transcribe all so you can start editing.
Editing
This is where the bulk of the magic takes place. I’m not talking about copying and pasting audio in Audacity or Pro Equipment or deleting ums and uhs. This is about structuring the story and editing material to make it as entertaining as possible. We are leading the era of podcast peter attia, white papers podcast and best whitepaper podcasts.
Design of sound
Music and sound production aren’t just decorations. They’re an essential component of great storytelling. Music and sound can dramatically alter the emotional mood of a plot.